San Antonio College Library

"The self has a history. In the West, the idea of the soul entered Christianity with the Church Fathers, notably Augustine. During the Renaissance the idea of the individual attained preeminence, as in the works of Montaigne. In the seventeenth century, philosophers such as Descartes formulated notions of selfhood that did not require a divine foundation. in the next century, thinkers such as Hume grew skeptical of the self's very existence. Ideas...

Each chapter consists of a list of works in the genre with some connection to ecological issues and a plot summary no longer than a sentence.

What can vampires tell us about the meaning of life? Is Edward a romantic hero or a dangerous stalker? Is Bella a feminist? Is Stephenie Meyer? How does Stephenie Meyer's Mormonism fit into the fantastical world of Twilight? Is Jacob "better" for Bella than Edward? The answers to these philosophical questions and more can be found inside this text. With everything from Taoism to mind reading to the place of God in a world of vampires, this book offers...

Brian Norman uncovers a curious phenomenon in American literature: dead women who nonetheless talk. These characters appear in works by such classic American writers as Edgar Allan Poe, Emily Dickinson, and William Faulkner as well as in more recent works by Alice Walker, Toni Morrison, Tony Kushner, and others. These figures are also emerging in contemporary culture, from the film and best-selling novel "The Lovely Bones" to the hit television drama...

"Although scholars have widely acknowledged the prevalence of religious reference in the work of Cormac McCarthy, this is the first book on the most pervasive religious trope in all his works: the image of sacrament, and in particular, of eucharist. Informed by postmodern theories of narrative and Christian theologies of sacrament, Matthew Potts reads the major novels of Cormac McCarthy in a new and insightful way, arguing that their dark moral significance...

"To be dystopian, a work needs to foreground the oppressive society in which it is set, using that setting as an opportunity to comment in a critical way on some other society, typically that of the author and/or the audience. In other worlds, the bleak dystopian world should encourage the reader or viewer to think critically about it, then to transfer this critical thinking to his or her own world. This volume in the Critical Insights series presents...

"The nonstop reading of Melville's titanic epic 'Moby Dick' in the setting of New Bedford's Whaling Museum has inspire[d] this fresh look at the novel in light of its most devoted followers. With some trepidation, David Dowling joined the ranks of the Melvillians to participate in the event for the full twenty-five hours. He survived to [tell] the tale of the voyage to the marathon reading that organizes his critical analysis of the novel from its...