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In these engaging lectures, the eminent poet Anthony Hecht explores the art of poetry in its own right and in relation to the other fine arts. While the problems he treats entail both philosophic and theoretical discussion, he never allows abstract speculation to overshadow his respect for and delight in the written texts that he introduces - or in the specific examples of painting and music to which he refers. After discussing the links between literature...
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""Having the freedom of our perceptual conviction," writes Mary Ann Caws, "would mean the ability at once to challenge institutional presentations and individual visions and to invent our own fictions of seeing." In The Art of Interference Caws argues for a "personally passionate criticism," emphasizing that reading texts of literature and visual art can never be a fixed and closed process. She addresses the issues of how to look for, read, and know...
Author
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In The Viewer as Poet, Norman Land provides the first comprehensive survey of ekphrasis in literature and art criticism from antiquity through the Renaissance. Land demonstrates more fully than anyone has so far, that Renaissance art criticism assimilated the poetic tradition of ekphrasis while maintaining its function of analyzing works of art. Broadly speaking, the book shows that purely literary descriptions of art in poetry and prose contain a...
Author
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What precisely, W.J.T. Mitchell asks, are pictures (and theories of pictures) doing now, in the late twentieth century, when the power of the visual is said to be greater than ever before, and the "pictorial turn" supplants the "linguistic turn" in the study of culture? This book by one of America's leading theorists of visual representation offers a rich account of the interplay between the visible and the readable across culture, from literature...
Author
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Focusing, framing, scanning - the language of film - and Gombrich's studies in the psychology of perception are used by John Bender to isolate pictorial effects and devices in literature. The theory that he poses, grounded in his analysis of Spenser, "the painter of poets," discriminates between the descriptive and the pictorial in poetry. In elaborating his theory, Mr. Bender examines in detail major segments of The Faerie Queene and the minor poems,...
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"In August of 1861, a congress was convened in Antwerp to consider why it was that the nineteenth century had adopted no distinctive architectural style as its own. That such a meeting took place is of substantially greater importance than any business conducted and resolutions passed by the delegates, for it suggests the profound dissatisfaction with the state of architecture in Europe that pervaded the continent at the time. In England, the chief...
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