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This second part of Sir John Rothenstein's autobiography begins with his taking up his duties as Director of the Tate Gallery, which he faced a discouraging situation. The Gallery's administration had collapsed the previous year; there was no official purchasing grant; the Turner Bequest was in lamentable condition and largely unknown; the leading artists of the emerging generation were unrepresented. Before he had time to make more than a beginning...
Author
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"This book is a sharply etched portrait of Douglas Cooper, the colorful Evelyn Waugh-like figure who single-handedly assembled the world's most important private cubist collection. It is also the story of Cooper and Richardson's association, which began in 1949 and came to fruition - and ultimately disaster - at the Chateau de Castille, the eighteenth-century colonnaded folly in Provence that they restored and filled with masterpieces by Picasso,...
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