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"Why can none of us hear our own recorded voice without wincing? Why is the telephone still full of such spookiness and erotic possibility? Why does the metaphor of ventriloquism, the art of 'seeming to speak where one is not', speak so resonantly to our contemporary technological condition? These are the kinds of question which impel Steven Connor's wide-ranging, restlessly inquisitive history of ventriloquism and the disembodied voice.
He tracks...
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