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"The songs, dances, jokes, parodies, spoofs, and skits of blackface groups such as the Virginia Minstrels and Buckley's Serenaders became wildly popular in antebellum America. Drawing on an unprecedented archival study of playbills, newspapers, sketches, monologues, and music, William J. Mahar explores the racist practices of minstrel entertainers and considers their performances as troubled representations of ethnicity, class, gender, and culture...
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Carnival, charivari, mumming plays, peasant festivals, and even early versions of the Santa Claus myth - all of these forms of entertainment influenced and shaped blackface minstrelsy in the first half of the nineteenth century. In his fascinating study Demons of Disorder, musicologist Dale Cockrell studies issues of race and class by analyzing their cultural expressions, and investigates the roots of still-remembered songs such as "Jim Crow," "Zip...
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In the American South before the Civil War, a harvest celebration developed surrounding the shucking of the corn each autumn. This event brought together both slave and master, with the slaves encouraged to perform. Thanks to the reports of visitors and foreigners, the corn-shucking ceremony became a representative scene of plantation life. In Singing the Master, Roger Abrahams reconstructs the genesis of the celebration--and offers a controversial...
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