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"Robert Louis Jackson considers Dostoevsky's powerful but much neglected Notes from the House of the Dead the seminal work of his post-Siberian period and critical to an interpretation of his art from 1861-1881. He projects this work as an artistic embodiment of a Christian poetics of insight and transfiguration. Breaking new ground, he explores the interrelated social, moral, aesthetic, psychological, and philosophical problems that absorbed Dostoevsky...
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