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Author
Description
"An analytical companion to the authors' groundbreaking anthology of Latina theater, Puro Teatro, this volume presents a theoretical perspective from which to understand and contextualize Latina theater as a genre in its own right. Applying feminist and postcolonial theory as well as theories of transculturation, they show how these works form a unified body that contributes to the formation of Latina identity in America today."
Author
Description
"This book demonstrates the crucial significance of looking at theatrical performance for rethinking critical inquiry. Leah Garland closely analyzes the theoretical tools with which prominent theater artists - Cherrie Moraga, Carmelita Tropicana, Coco Fusco, and Nao Bustamante - challenge neocolonial parameters for self-examination. Garland shows how the self-affirmative maneuvers that these artists deploy reconceptualize the subject in literary theory."--Jacket....
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