(0)
(0)
(0)
(0)
(0)Catalog Search Results
Description
"Impressionist landscapes are not spontaneous atmospheric paintings, but rather a place from which the impressionist artist carried out their experiments. Color doesn't represent light, it is light. Landscape is liberated from all historic and symbolic presumption, making it impressionism's primary genre and encouraging the viewer to use all their senses. The present catalog examines this new reappraisal."--Back cover of jacket.
Description
"The catalogue is brilliantly illustrated with 260 color images, including works by U.S. artists Albert Bierstadt, Frederic Church, and Georgia O'Keeffe; Canadian artists Joseph Légaré, Frances Anne Hopkins, and Lawren Harris; Mexico's José María Velasco, Uruguay's Joaquín Torres-García, and Brazil's Tarsila do Amaral, among many others. Leading scholars offer a Pan-American perspective on these landscape traditions: essays consider the emergence...
Author
Description
Frederic E. Church is increasingly recognized today as the leading painter of the Hudson River School -- the group of optimistic, realistic landscape painters who flourished during the mid-nineteenth century (1840-1875). He is a pivotal figure, and one who influenced his contemporaries greatly. Yet even Church is known almost solely from his finished oil paintings, which are large, detailed, and panoramic, with no hint of the artist's hand visible....
Description
"Between 1850 and 1880, Impressionist landscape painting and early forms of photography flourished within the arts in France. In the context of massive social and political change that also marked this era, painters and photographers composed competing visions of France as modern and industrialized or as rural and anti-modern. Impressionist France explores the resonances between landscape art and national identity as reflected in the paintings and...
Description
"While many people are familiar with the Hudson River "School" of art, far fewer realize that out of that movement came the American Luminist movement of the mid 19th Century. While some of the Hudson River artists were also luminists, most of their landscapes are not. The Luminists generally painted smaller landscapes than the HRS artists, they are always extremely peaceful scenes, often rather mono-tone in color, and most of all sublime. That is,...
Author
Description
"Impressions of Light introduces a new level of complexity into the discussion of French landscapes. Rather than considering the landscape as a steady, linear development, it takes into account the many crosscurrents and intersecting paths in French art, from the foundations of the Barbizon School through the Post-Impressionist period. In addition, it studies the landscape in a variety of media - painting, printmaking, drawing, and photography - exploring...
Author
Description
"Hudson River School paintings are among America's most admired and well-loved artworks. Such artists as Thomas Cole, Frederic Church, Albert Bierstadt, and Martin Johnson Heade left a powerful legacy to American art, embodying in their epic works the reverence for nature and the national idealism that prevailed during the middle of the nineteenth century. This book features fifty-seven major Hudson River School paintings from the collection of the...
In ILL
Didn't find what you need? Items not owned by San Antonio College Library can be requested from other ILL libraries to be delivered to your local library for pickup.
Didn't find it?
Can't find what you are looking for? Try our Materials Request Service. Submit Request