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"In The Manhattan Project, David Kishik dares to imagine a Walter Benjamin who did not commit suicide in 1940, but managed instead to escape the Nazis to begin a long, solitary life in New York. During his anonymous, posthumous existence, while he was haunting and haunted by his new city, Benjamin composed a sequel to his Arcades Project. Just as his incomplete masterpiece revolved around Paris, capital of the nineteenth century, this spectral text...
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