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In the years following the Act of Uniformity in 1549, musicians seemed to thrive on the challenge of the New Prayer Book, and the successive reigns of Elizabeth I, James I and Charles I bought a rich and varied repertory of vernacular church music. This book traces these developments in great detail, drawing on many contemporary sources to illuminate the music and its social and religious background.
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Publisher's description: A remarkable work that recovers the songs Shakespeare's audiences actually heard and brings them to life through performance. Shakespeare lovers have long lamented that so few songs in his plays survive with original music; of about sixty song lyrics, only a handful have come down to us with musical settings. For over 150 years, scholars have aspired--without success--to fill that gap. In Shakespeare's Songbook, Ross W. Duffin...
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