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Author
Description
"Examines the most important photographers and developments in the documentary genre during this century. It encompasses the reform-era images of Francis Benjamin Johnston and Lewis Hine; the work of Farm Security Administration (FSA) photographers like Walker Evans and Dorothea Lange during both the 1930s and 1940s after the FSA photography unit broke up; the American-Way-of-Life pictures published by Life, Look, and the United States Information...
Description
The photographs in 'Ground' are taken from an archive of 145,000 images from 1935-1943 for the Farm Security Administration (FSA), a New Deal agency ... within the Department of Agriculture ... The FSA photography division was run ... by Roy Stryker, who ... routinely damaged FSA negatives with a hole punch to prevent them from being printed. Some of the negatives he punched (referred to by the FSA as 'killed') were poor exposures or had been ruined...
Author
Description
"Housed at the Library of Congress, the archives of the Farm Security Administration constitute an essential visual record of American life from the late 1920s through the onset of the Second World War. Guided by the adroit hands and watchful eyes of the master photo editor Roy Stryker, the FSA archive includes the work of dozens of photographers, from acknowledged giants like Walker Evans, Ben Shahn, and Dorothea Lange to Marion Post Wolcott and...
Author
Description
"In the twentieth century's first decades, U.S. workers waged an epic struggle to achieve security through unions; simultaneously Americans came to interpret current events through newspaper photographs. Eyes on Labor brings these two revolutions together, revealing how news photography brought workers into the nation's mainstream. Carol Quirke focuses on images ignored by scholars but seen by millions of Americans in the news of the day. Part visual...
Author
Description
Challenging the conventional wisdom that the 1930s were dominated by literary and photographic realism, Sensational Modernism uncovers a rich vein of experimental work by politically progressive artists. Examining images by photographers such as Weegee and Aaron Siskind and fiction by writers such as William Carlos Williams, Richard Wright, Tillie Olsen, and Pietro di Donato, Joseph Entin argues that these artists drew attention to the country's most...
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