San Antonio College Library

Nikki Giovanni began to write poetry in the 1960s when she was associated with the radical Black Arts Movement. She has since won a large popular following of a kind rarely achieved by poets in American society. Many ordinary people read, memorize, and recite her work, and her public readings are invariably well attended. Indeed, Giovanni's popular success has perhaps caused academic critics to underestimate the depth and breadth of her work. A strong-minded...

"D.H. Melhem's clear introductions and frank interviews provide insight into the contemporary social and political consciousness of six acclaimed poets: Amiri Baraka, Gwendolyn Brooks, Jayne Cortez, Haki R. Madhubuti, Dudley Randall, and Sonia Sanchez. Since the 1960s, the poet hero has characterized a significant segment of Black American poetry. The six poets interviewed here have participated in and shaped the vanguard of this movement. Their poetry...

AFRICAN-AMERICAN POETRY, with its wellsprings in jazz and vernacular culture and its inescapable political dimension, stands among the most important bodies of literary work of the twentieth century. This collection of essays and six lively interviews with practicing poets, arising from the now-famous Furious Flower Conference of 1994, provides a mosaic of the major critical and aesthetic issues emerging from the poetry and its literary milieu. African-American...

"The first authoritative biography of August Wilson, the most important and successful American playwright of the late 20th century, by a theater critic who knew him"-- "Ever since Ma Rainey's Black Bottom captivated Broadway audiences, August Wilson established himself as the most important American playwright of the last fifty years. His decade-by-decade cycle of ten plays about the African American experience in the twentieth century put Black...

Focusing on the lives and writings of Alice Dunbar-Nelson, Angelina Weld Grimke, and Georgia Douglas Johnson, the author examines the overall place of women in the Harlem Renaissance, and the intersection of gender and race in their poetry. Hull chose these women not only because of their unique individualities, but because they represent black women/writers struggling against unfavorable odds to create their personal and artistic selves. She demonstrates...