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"There are no definitive histories," writes Elijah Wald, in this provocative reassessment of American popular music, "because the past keeps looking different as the present changes." Earlier musical styles sound different to us today because we hear them through the musical filter of other styles that came after them, all the way through funk and hiphop. As its blasphemous title suggests, How the Beatles Destroyed Rock 'n' Roll rejects the conventional...
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"Classic American Popular Song: The Second Half-Century addresses the question: What happened to American popular song after 1950? While 1950 is seen as the end of an era, the top of popular song creation hardly ran dry after that date. This book tackles the issue head on, answering questions such as: Was there a decline in quality or quantity of pop song after 1950? Were the highly successful writers who emerged after 1950 working in an antiquated...
Description
Designed as a broad introductory survey, and written by experts in the field, this book examines the rise of American music over the past hundred years--the period in which that music came into its own and achieved unprecedented popularity. Beginning with a look at music as a business, eleven essays explore a variety of musical genres, including Tin Pan Alley, blues, jazz, country, gospel, rhythm and blues, rock and roll, folk, rap, and Mexican American...
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This is the story of the Golden Age of American popular music, and a celebration of the enduring melodies and colorful life stories of five of this century's most engaging songwriters: Irving Berlin, Jerome Kern, George Gershwin, Cole Porter, and Richard Rodgers, with a fond bow in the direction of Victor Herbert and George M. Cohan. Author William G. Hyland provides an expert analysis of trends in popular songwriting during the first half of this...
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"The first of two volumes, this companion to every song that Bob Dylan ever wrote is by far the most comprehensive book on the words of America?s greatest songwriter. Here you?ll find not just opinionated commentary or literary interpretation, but facts, first and foremost. Clinton Heylin is the world?s leading Dylan biographer and expert, and he has arranged the songs--including a number that have never been performed--in a continually surprising...
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From the age of song sheets in the late nineteenth century to the contemporary era of digital streaming, pop music has been our most influential laboratory for social and aesthetic experimentation, changing the world three minutes at a time. Hajdu shows how pop has done much more than peddle fantasies of love and sex to teenagers. Exhaustively researched and rich with fresh insights, Love for Sale details pop music from Eva Tanguay, who upended Victorian...
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An acclaimed cultural historian--drawing on previously untapped archival sources and interviews with such voices as Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert--presents a social history of the great American songwriting era.
"Everybody knows and loves the American Songbook. But it's a bit less widely understood that in about 1950, this stream of great songs more or less dried up. All of a sudden, what came over the radio wasn't Gershwin,...
Description
This rollicking film looks at the extraordinary Tom Waits and his music during the period of 1983 to 2006. After marrying Katherine Brennan in 1980, Waits began to make music that was more experimental, challenging, and left-field, but without any compromising of his craft--in fact, the songs were better than ever. Through albums produced over nearly three decades, Waits stunned his audience time and again. This enlightening and revealing program...
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From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and the 1950s off-spring of R & B, rock 'n' roll. Operated by families or individuals, often on the fringe of mainstream culture, these labels fostered America's musical voice by discovering original artists who would become giants of popular culture.
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This volume presents not only the first comprehensive account of the growth of black popular music, but also that of American popular music, explored from the black perspective. Shaw believes that popular American music is neither white nor black, but a fusion, and the result of an interplay. Focusing on five key black styles--minstrelsy, spirituals, ragtime, jazz, and the blues, he analyzes their origins and development and their entry into popular...
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"The true, behind-the-scenes story of Casablanca Records, from an eyewitness to the excess and insanity. Casablanca was not a product of the 1970s, it was the 1970s. From 1974 to 1980, the landscape of American culture was a banquet of hedonism and self-indulgence, and no person or company in that era was more emblematic of the times than Casablanca Records and its magnetic founder, Neil Bogart. From his daring first signing of KISS, through the discovery...
19) The Soul book
Description
"This book is an interdisciplinary discussion of popular music performed and created by American Indian musicians, providing an important window into history, politics, and tribal communities as it simultaneously complements literary, historiographic, anthropological, and sociological discussions of Native culture"--Provided by publisher.
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