San Antonio College Library

Victorian Alchemy explores nineteenth-century conceptions of ancient Egypt as this extant civilisation was being ?rediscovered? in the modern world. With its material remnants somewhat paradoxically symbolic of both antiquity and modernity (in the very currentness of Egyptological excavations), ancient Egypt was at once evocative of ancient magical power and of cutting-edge science, a tension that might be productively conceived of as 'alchemical'....

This collection brings together essays by scholars from literature, history of art and history of science which explore the diversity of Victorian fascination with the supernatural: ghosts and fairies, table-rappings and telepathic encounters, occult religions and the idea of reincarnation, visions of the other world and a reality beyond the everyday. These essays demonstrate that the supernatural was not simply a reaction to the "post-Darwinian loss...

"A groundbreaking biography reveals the haunted origins of the man who created Dracula and traces the psychosexual contours of late Victorian society. Bram Stoker, despite having a name nearly as famous as his legendary undead Count, has remained a puzzling enigma. Now, in this psychological and cultural portrait, David J. Skal exhumes the inner world and strange genius of the writer who conjured an undying cultural icon. Stoker was inexplicably paralyzed...

Emily Dickinson's Gothic, the first full length study of Dickinson as a primarily gothic writer, is based upon a recognition of women's gothicism. Daneen Wardrop develops first a definition of the female gothic by reading Helene Cixous reading Freud reading E.T.A. Hoffmann on the uncanny. The result is a language based model for the gothic that exposes some of Dickinson's most encrypted figurations and coerced language, which she used to subvert cultural...

Although spectral Indians appear with startling frequency in US literary works, until now the implications of describing them as ghosts have not been thoroughly investigated. In the first years of nationhood, Philip Freneau and Sarah Wentworth Morton peopled their works with Indian phantoms, as did Charles Brocken Brown, Washington Irving, Samuel Woodworth, Lydia Maria Child, James Fenimore Cooper, William Apess, Nathaniel Hawthorne, and others who...

"Victorian Hauntings asks its reader to consider the following questions: What does it mean to read or write with ghosts, or to suggest that acts of reading or writing are haunted? In what ways can authors in the nineteenth century be read so as to acknowledge the various phantom effects which return within their texts? In what ways do the traces of such 'ghost' writing surface in the works of Dickens, Tennyson, Eliot and Hardy? How does the work...

The relationship between humans and their gods has always been a primary theme in literature. Until recently, however, books in the American literary canon have rarely been concerned with any supernatural beings other than the Judeo-Christian god. In this book Bonnie Winsbro moves beyond that narrow focus to examine the power of the supernatural in the works of six ethnic writers: Lee Smith's Oral History, Louise Erdrich's Tracks, Leslie Marmon Silko's...