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"This is the English genius: the passion, the tragedy, the comedy of life mirrored in these seven great plays which illustrate the incomparable art of English theater. The miracle play of Abraham and Isaac is symbolic of medieval theatre; pristine in form, innocent and joyful in its praise of God. Man has lost a portion of his innocence, but still sees life as a struggle between good and evil, in Marlowe's great play Doctor Faustus. The morality play...
Author
Description
Publisher description: This volume represents less than half of the projected history of "Elizabethan" drama which the late Professor F. P. Wilson was working on at the time of his death in 1963. It begins were Volume II, Part 2, by the late Sir Edmund Chambers, left off--at the accession of Henry VII. It chronicles the decline of the Morality forms, and discusses the tentative new dramatic impulses produced by the combined presure of Reformation...
Author
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This important new study of the English mystery plays has a twofold purpose. It is concerned to investigate the antecedents of the four extant cycles and to demonstrate the dramatic value of the plays themselves The opening and concluding chapters place the plays in their historical context by discussing on the one hand the emergence and achievements of genuine religious drama (as opposed to liturgical drama) in the twelfth century and on the other...
Description
Here are twenty-six original essays by today's leading critics and historians of the pre-seventeenth-century English stage. A major storehouse of new historical information and critical insight, A New History of Early English Drama represents a paradigmatic shift in how scholars approach the evolution of English theater. This book skillfully illustrates the complex influence of physical and social forces upon the stage, and provides an innovative...
Author
Description
Through a revised study of Shakespeare's dramatic heritage in its social context, the author questions the idealizing view that Shakespearean drama enacts an 'Elizabethan world picture' as well as the materialist view that the plays laid the foundation for modern radical ideology. Instead the author locates Shakespeare's skepticism about power in his heritage from medieval religious drama. Always responsive to the taste of the ruling class, Shakespeare,...
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