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James M. Cox pursues the development of Mark Twain's humor through all its forms, concentrating upon the humor itself as the transfiguring power that converted all the "serious" issues and emotions of Mark Twain's life and time into narratives designed to evoke helpless laughter. Mark Twain: The Fate of Humor, captures the great heart of a writer who imagined freedom in the slave society of his youth and discovered slavery in the free country of his...
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Admitting the influence of the Southwestern humorists on Mark Twain's work, Sloane attempts to assess the parallel importance of Northeastern literary comedy, the more overt political and satirical humor that culminates in the deadpan persona of Artemus Ward. Sloane argues that this latter tradition provided Twain with a focus for his egalitarian social vision and encouraged him to experiment in the making of his own fictional forms.
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Covering the entire body of Mark Twain's fiction, Clark Griffith in Achilles and the Tortoise answers two questions: How did Mark Twain write? and Why is he funny? Griffith defines and demonstrates Mark Twain's poetics and, in doing so, reveals Twain's ability to create and sustain human laughter. More thoroughly and authoritatively than any other critic, Griffith shows that the underlying effect of Twain's humor is negativistic, pessimistic, and...
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"A fresh perspective on the early years of Samuel Clemens's career as a writer and newspaper reporter. Caron examines Clemens's developing comic voice in his journalism in Nevada and San Francisco, then in the travel letters from Hawaii and letters chronicling his trip from California to New York City"--Provided by publisher.
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An account of Twain's experiences as an apprentice riverboat pilot in the days of the great Mississippi steamboats.
Both a memoir and a travel book, Mark Twain recalls his days as a steamboat pilot on the Mississippi River before the American Civil War, and then many years after, recounts a trip as passenger along the Mississippi River from St. Louis to New Orleans. The book begins with a brief history of the river as reported by Europeans and Americans,...
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Can we rediscover the wildness in Mark Twain's humor? Can we understand how that wildness helped make him a national legend and a key figure in the expression of an American self? In Mark Twain on the Loose, Bruce Michelson writes about Twain as a body of literature, as a public personality, and as a myth. Michelson shows that many of Twain's most ambitious and memorable works, from the very beginning to the end of his career, express a drive for...
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"For more than a quarter-century, despite the admirable excavations that have unearthed such humorists as John Gorman Barr and Marcus Lafayette, the most significant of the humorists from the Old Southwest have remained the same: Crockett, Longstreet, Thompson, Baldwin, Thorpe, Hooper, Robb, Harris, and Lewis. Forming a kind of shadow canon in American literature that led to Mark Twain's early work, from 1834 to 1867 these authors produced a body...
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